London: published for I. Flaxman Junr. by J. Matthews No. 44 Strand, Januray 12, 1795. Flaxman, John. First edition. Read More about Compositions from the Tragedies of Aeschylus. Designed by John Flaxman. Engraved by Thomas...

Ashby-De-La-Zouch; (Vols. XXII & XXIII) Ipswich: S.H. Cowell, 1855-1889. “The object of the Society is to delineate remains of Antiquity; e.g. ancient Ecclesiastical, Military, and Domestic Edifices, Sepulchral Monuments, Fonts, Brasses, Stained Glass, Tiles, Armour, Dress, Jewellry, Plate Embroidery, Furniture, Carvings, Illuminstions of ancient MSS, Copies of rare Prints, Portraits..... Read More about Anastatic Drawing Society, for the years 1855-57, and 1860. The Ilam Anastatic Drawing Society,...

Published by the Twenty-One Gallery, 1929. 69/75 in pencil beneath the image. Final State. The deer were modeled after those he saw in Rome at the zoo in the Borghese Gardens (Ashmolean Catalogue). Read More about Engraving: Deer

1922. Unpublished. In addition to a few early impressions of the final state, twenty were printed in 1930. Read More about Salus infirmorum

London: 1896. Original Late Victorian Cartoon Sketchbook. An amateur production, but quite a nice one. The artist, residing at 170 Loughboro Road, Brixton, was heavily influenced by the work of the great comic artist Phil May, and comes quite close to May's spirit and technique, particularly in his depiction of... Read More about Sketchbook of 19 pages of pencil and pen and ink sketches and captioned cartoons, all signed by...

[London?]: Privately printed, 1919. First edition. Copy no. 11 of 150 copies only signed by Harold Hurley. With 19 previously unpublished comic illustrations to Book II of Virgil's Aeneid, executed in 1886. Read More about Nineteen Early Drawings by Aubrey Beardsley. From the Collection of Mr. Harold Hartley ... with...

[London]: [1931]. Beerbohm, Max. First edition, Number 134 of 900 copies. At the request of Charles Cochran, the producer of Noel Coward's 1929 operetta, Beerbohm did drawings of Coward, Cochran, and the principals: Peggy Wood, Georges Metaxa, and Ivy St. Helier. This was the last book of caricatures Beerbohm published. Read More about Heroes and Heroines of Bitter Sweet

1913. The caption is from Scott’s Lady of Lake. “H.H.A, imperturbably smoking a cigar with a copy of ‘Payne on Statics’ at his feet, is ringed by a shackled peer, a German soldier, a militant worker, a suffragette and Sir Edward Carson” (Hart-Davis). Read More about Mr. Asquith in Office (“Come one, come all, this rock shall fly / From its firm base as soon as...

"The Old Selves contemplate the Siamese-twin figure of the Young Selves, each holding a stick, labelled BEGGAR-STAFF. The two had won fame as poster-artists called the Berggarsatff Brothers." Hart-Davis. Reproduced in Observations, 1925. Read More about The Old and the Young Self, inscribed [William Nicholson:] 'Who were that?' [James Pryde:] 'Who...

1827. Fine Hayter Etching, 1827. Sir George Hayter was Court Portrait Painter to Queen Victoria and especially noted for his large canvases of classical subjects. His etchings are important contributions to Victorian printmaking. Read More about St John

Ca. 1930. Blackmore, Katie. Original Watercolor by Katie Blackmore. An exquisite and highly decorative sudy of a kimono-clad woman against a black india ink background. Katie Blackmore, R.B.A., (fl. 1920-1950) was noted for the delicacy of her detail as well as her keen sense of design, and both are amply..... Read More about Japanese Street Vendor Carrying Her Child

London: Halton & Truscott Smith, 1925. First Edition, No. 9 of 100 copies, signed by the author on the limitation page. One of 100 Copies. A sumptuous production. Read More about The Followers of William Blake: Edward Calvert, Samuel Palmer, George Richmond & Their Circle