N. P: n.d. Read More about Clipped signature “Gilbert A'Beckett”

Ashby-De-La-Zouch; (Vols. XXII & XXIII) Ipswich: S.H. Cowell, 1855-1889. “The object of the Society is to delineate remains of Antiquity; e.g. ancient Ecclesiastical, Military, and Domestic Edifices, Sepulchral Monuments, Fonts, Brasses, Stained Glass, Tiles, Armour, Dress, Jewellry, Plate Embroidery, Furniture, Carvings, Illuminstions of ancient MSS, Copies of rare Prints, Portraits..... Read More about Anastatic Drawing Society, for the years 1855-57, and 1860. The Ilam Anastatic Drawing Society,...

Published by the Twenty-One Gallery, 1929. This is a trial Proof of the 3ed State. According to Dodgson the plate was unfinished and unpublished and a few impressions were printed. Read More about Etching: Wayside Family

Puublished by Twenty-One Gallery, 1925. Read More about Palm Sunday

1914. A choice Beerbohm manuscript, a deft sonnet in honor of painter Walter Sickert (1860-1942), invoking Whistler and other figures of Max’s youth, and the music halls — “The Hoxton Palace of Varieties” — and reflecting upon the passage of time and enduring presence of Sickert, who was in 1914..... Read More about Autograph manuscript draft, signed (“Max”), Sonnet to W.S. June 1914

[London]: [1931]. Beerbohm, Max. First edition, Number 134 of 900 copies. At the request of Charles Cochran, the producer of Noel Coward's 1929 operetta, Beerbohm did drawings of Coward, Cochran, and the principals: Peggy Wood, Georges Metaxa, and Ivy St. Helier. This was the last book of caricatures Beerbohm published..... Read More about Heroes and Heroines of Bitter Sweet

1827. Fine Hayter Etching, 1827. Sir George Hayter was Court Portrait Painter to Queen Victoria and especially noted for his large canvases of classical subjects. His etchings are important contributions to Victorian printmaking. Read More about St John

Ca. 1930. Blackmore, Katie. Original Watercolor by Katie Blackmore. An exquisite and highly decorative sudy of a kimono-clad woman against a black india ink background. Katie Blackmore, R.B.A., (fl. 1920-1950) was noted for the delicacy of her detail as well as her keen sense of design, and both are amply..... Read More about Japanese Street Vendor Carrying Her Child

London: Halton & Truscott Smith, 1925. First Edition, No. 9 of 100 copies, signed by the author on the limitation page. One of 100 Copies. A sumptuous production. Read More about The Followers of William Blake: Edward Calvert, Samuel Palmer, George Richmond & Their Circle

London: Printed for J. Johnson, 1785. A New Edition, Corrected. (Fourth Edition, first was 1774, plates dated 1780). This edition was issued with and without plates. Only one plate is signed Blake. Blake's First Commercial Plates. Read More about The Speaker: or Miscellaneous Pieces selected form the Best English Writers...With a View to...

London: J.M. Dent & Co. and G.P. Putnam's Sons, 1902. Blake, William. Facsimile issued in 1000 copies. Read More about Illustrations of The Book of Job in Twenty-One Plates Invented and Engraved by William Blake

London: The Nonesuch Press, 1927. First edition, Number 1114 of 1550 copies. Read More about Pencil Drawings

n.p: 1853. Original Drawing of Mr. Verdant Green at Cricket. A popular Victorian literary character was Mr. Verdant Green, an Oxford Freshman, hero of several books written and illustrated by a Midland vicar, Rev. Edward Bradley (1827-1889) under the pen-name of Cuthbert Bede. Bradley had learned wood-engraving from no less..... Read More about “Verdant Green, An Oxford Freshman”: Pencil drawing, signed “Cuthbert Bede-1853” lower left