London: Debrett; Longman; Debrett; Debrett, 1794; 1793; [1794?]; [1794]. All but the last title first editions. Read More about The Travellers in Switzerland. A Comic Opera. ... . [bound with:] PEARCE, [William],...

London: Privately Printed for Subscribers by the Early English Drama Society, 1905-8. Large Paper copies, limited to 60 copies. Large Paper Copies. Part of the “Early English Dramatists” series published in 12 volumes. Read More about Anonymous Plays. First [through 4th] Series

London: J. Watts, 1750. Third edition. The revised and expanded third edition of Fielding's third play, a comic ballad opera first staged in 1730. A note on the title-page reads: "This piece was originally acted at the Hay-Market, and revived some years after at Drury-Lane, when it was revised, and... Read More about The Author's Farce; with a Puppet-Show, Call'd the Pleasures of the Town. As Acted at the Theatre...

London: John Watts, 1728. First edition. Fielding's First Play. First edition of the 20-year-old Fielding's first play and his second surviving publication. "Fielding's career as dramatist began auspiciously enough when, as an unknown author in his twentieth year, his first play, the comedy Love in Several Masques, was staged by... Read More about Love in Several Masques. A Comedy, as it is Acted at the Theatre-Royal …

London: J. Watts, 1730. First edition, ordinary paper issue. Fielding's Second Play. First edition of Fielding's second play, written upon his return to London following nearly two years on the Continent. The Temple Beau was turned down by Drury Lane — where two years earlier Fielding, with the help of... Read More about The Temple Beau. A Comedy. As it is Acted at the Theatre in Goodman's-Fields

London: Privately Printed for subscribers by the Early English Drama Society, 1906. Large paper copy, limited to 60 copies. Large Paper. Part of the “Early English Dramatists” Series issued in 12 volumes. Read More about The Dramatic Writings of Ulpian Fulwell comprising “Like Will to Like”–Note-Book and Word...

London: Printed for J. Watson et all, 1775. Later edition. David Garrick's Copy. This work was so immensely popular that, initially published in 1760-65, it went through possibly 20 editions by 1800. It is a satire of manners and politics of the day and "depicts many famous contemporaries in all... Read More about Chrysal: or, the Adventures of a Guinea. Wherein are exhibited Views of several striking...

New York: May 13, 1955. Variant of the print published in PORTRAITS: the Photographs of Carl Van Vechten (1978), edited by Saul Mauriber. Gazzara as the Original 'Brick'. The original production of Tennessee Williams' CAT ON A HOT TIN ROOF, directed by Elia Kazan, opened on March 28, 1955. His... Read More about Portrait photograph of Ben Gazzara as "Brick" in CAT ON A HOT TIN ROOF, seated in robe...

[Waltham Saint Lawrence, Berkshire]: The Golden Cockerel Press, 1926. Number 124 of 325 copies. Printed by Robert Gibbings. Read More about The Metamorphosis of Pigmalion's Image

London: Printed for the Author, and sold by William Cadman, et al, 1684. First English edition. The Classical Treatise of the 17th-Century French Drama. First English translation of this key treatise which codified the rules of 17th-century French dramatic classicism. It was first published in French as La pratique du... Read More about The Whole Art of the Stage. Containing Not Only the Rules of the Drammatick Art, but Many Curious...

Boston: Little, Brown, 1951. First edition. Inscribed. Inscribed on the front free endpaper in the year of publication: "August 1, 1951 To Darling June,Northrop, whom First I thought of in creating the Role of Sophie[.] Lillian Hellman (Just call me Hardy) May you run 10 years." And with a note... Read More about The Autumn Garden

London: Privately printed for Subscribers by the Early English Drama Society, 1908. Large Paper. Large Paper. Part of the “Early English Dramatists” series published in 12 volumes. Read More about The Spider and the Fly, Together with an Attributed Interlude, Entitled Gentleness and Nobility....